Nicola Porpora's Inspiration

Considered the father of bel canto, Nicola Porpora taught the great castrati Farinelli and Caffarelli. He also taught Giovanni Ansani, who reportedly instructed Manuel García the Elder in the precepts of the Old School.

While Porpora did not record his instruction for posterity, his student Domenico Corri did, publishing something of his master's precepts in a treatise titled The Singer's Preceptor in 1810. It can be found—along with a treatise by Corri's student Issac Nathan—in The Porpora Tradition, published in 1968 by Edward Foreman (Pro Music Press). It is a hard-to-find book, but I was fortunate to obtain a copy via Abebooks some years ago. Here are Corri's instructions on practice, which undoubtedly reflect those of his illustrious master. 

Begin by half an hour at a time, increasing more and more in proportion to the age and strength of the constitution on an average from two to three hours each day, until it is acquired, after which you may relax the exertion, but must never abandon it totally as long as you wish to improve and preserve your voice.

The best time for practice is considered to be after breakfast, the Lungs then being in the happiest state to bear the exertion; during this progress you must abstain from all other Singing, because, for this appointed Exercise, all your power should be reserved.

1st. Place yourself near a Piano Forte and before a Looking Glass, standing, you will thus possess more strength.

2nd. Keep the Head and Body upright which gives free passage to the Voice.

3rd. Open the mouth in an oblong form, as smiling, so that the lower Lip may not rise above the Teeth, which otherwise will damp and weaken the tone of the Voice.

4th. Take as much breath as you can, draw it with a moderate quickness, with suspiration, as if sighing, use it with economy, and at the same instant sound the letter A as pronounced by the Italian or Scotch, thus ah.

Did you catch the word Corri uses for breathing, that is, suspiration? It is a more sophisticated directive than the usual instruction to 'take a deep breath.' A kinesthetically oriented word, suspiration calls to mind feelings of contentment and repose. I've come across only one other place, which is in Luigi Lablache's treatise. 

Interesting what one word can do, no?  

Addendum: Find Issac Nathan's text on VOICETALK’s Download page.